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These were strange, and when you look at them now, they were part of this effort in the 60's onward to create a national "Canadian" culture and identity using little factoids like those in Hinterland Who's Who as a common understanding. The logrider's waltz is another one, this video , but you have to imagine what weird places the CBC and TV Ontario would have had to have been in the 50's and 60's, where it was a mix of turtlenecked beatnicks, remittence men, old family connected bureaucrats, with influential infiltrators from french separatist and foreign communist movements, Camp X instructors, and a bunch of political idealists spending relatively unlimited public money on inventing a new national identity. In hindsight, the 1970s, Polka-Dot Door was obviously an acid fueled propaganda machine, and Polkaroo, a giant dotted ambiguously gendered kangaroo friend that nobody else could see was the beginning of intersectionality. The future was imminently revolutionary and operated by a benevolent new intellectual class on systems like a new rumored Chilean technology called Cybersyn, which I am sure we sent agents to infiltrate and steal the blueprints of this amazing technology for ourselves to give us a national advantage ( link ), and groups of conceptual artists formed networks that connected revolutionary politics with the young people of establishment society, e.g. General Idea ( link ) All against a backdrop of those earth toned rainbows, the Olympics in Montreal, from